Somewhere in this book-burdened household, in which nearly
two dozen shelves groan and the books that don’t fit sit on stacks on floors or
tables, there is a book called “Remember Smith’s Weekly?” It’s a chronicle of
the rise and fall of a patriotic tabloid of mid-20th century
Australia.
Among other things, it’s a rag that helped establish the
Packer dynasty. But that’s not germane to this argument.
The chronicler in “Remember Smith’s Weekly” recounted its
role as a player tabloid in a much more racist pre-war Australia, campaigning
against Jews. I recall a cartoon whose captions read:
“May I remove my bicycle before we burn the shop, father?”
“No, son! We must be honest!”
…which was a typical racist “Jews as insurance fraudsters”
The historian telling the tale, one G Blackie of whom I know
little, considered the anti-Jew campaigning of Smith’s Weekly to be important
in its downfall: its attitudes were hateful during the lead-up to World War II,
and during the War.
But it retained some shred of integrity: when the horror of
the Holocaust emerged, Smith’s Weekly retracted.
That retraction put the magazine on the skids, and in 1950,
it closed.
Pre-war, Smith’s – like many organs today – was a player.
Its favoured venue was the immigration debate, its obsession “keep out Jews”.
And its lessons are drear.
If you admit error, you alienate readers, and die.
What does this tell us about today’s “player journalists”? –
the ones who believe their commentary agendas are right in spite of any
evidence that they’re wrong?
Their bosses have learned Smith’s lesson. Never stop, never
pull back, never retreat a step. If you do, the readers that believed you last
week will hate you, and leave.
The problem for publishing, an activity distinct from
journalism, is this: when you’re constantly acting like a complete idiot in
public, your responses to a reader exodus are limited.
Look back at Smith’s: one part of its readership started
drifting away when they resented its attitudes; the rest drifted away when it
admitted to undeniable facts.
And now look at the vice that Fairfax and News have devised
for themselves: on the one hand, readers departing because they resent the
denial of facts; on the other, the inevitable loss of readers when facts will
no longer be denied.
It’s a vice unique to the “player”. If you merely write
facts, you won’t be burned this way. It’s when you decide that you no longer
want the world of reality-based constructs, but want to – as a journalist –
create your own reality, that the bill arrives, and you find that you can’t pay
it.
Remember Smith’s Weekly?
The only way a journalist can RISK becoming a "player" is to know that ALL his/her facts are right. Because the player-proved-wrong is merely a dupe of others.
The only way a journalist can RISK becoming a "player" is to know that ALL his/her facts are right. Because the player-proved-wrong is merely a dupe of others.
No comments:
Post a Comment